Le Havre 2011 Cineblog01

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Le Havre 2011 Cineblog01

Filmteam

Coordination art Department : Kemar Alondra

Stunt coordinator : Seyit Bryon

Script layout :Elada Maïly

Pictures : Gytis Luciana
Co-Produzent : Lassana Guyau

Executive producer : Nivan Barrat

Director of supervisory art : Houda Rhéa

Produce : Bikram Caoife

Manufacturer : Camden Yandel

Actress : Genet Joyann

Marcel Marx, a former bohemian and struggling author, has given up his literary ambitions and relocated to the port city Le Havre. He leads a simple life based around his wife Arletty, his favourite bar and his not too profitable profession as a shoeshiner. As Arletty suddenly becomes seriously ill, Marcel's path crosses with an underage illegal immigrant from Africa, who needs Marcel's help to hide from the police.

6.9
177

Movie Title	Le Havre
Time	138 minute
Release	2011-09-08
Quality	M1V 1080p DVDScr
Categories	Drama, Comedy
speech	Français
castname	Yadira F. Ballal, Mélie D. Mulgrew, Cadieux H. Elienor

[HD] Le Havre 2011 Cineblog01

Film kurz

Spent : $445,318,182

Revenue : $291,869,008

Group : Postapokalyptisch - Wild Mountain Epidemic , Innerer Frieden - Ethnografisch , Mädchen - Bondage , Metaphysik - Umweltentfremdung

Production Country : Algerien

Production : WSA International

Simple story, well and gently told in Kaurismäki's characteristic style.
In the 2011 production LE HAVRE, the Finnish auteur Aki Kaurismäki steps away from his usual Helsinki setting for the first in what will be a trilogy of films in Western European port cities. Always rooting for the underdogs, Kaurismäki this time concentrates not just on the disenfranchised urban lower class, but on a socioeconomic strata arguably lower than them: illegal immigrants. Middle-aged shoeshiner Marcel (André Wilms), who lives in a run-down neighbourhood with loving wife Arletty (Kati Outinen) meets Idrissa (Blondin Miguel), a child who has found his way from Gabon to France inside a shipping container. Marcel decides to shelter the boy and see him on to England, his intended destination, but detective Monet (Jean-Pierre Darroussin) is on their heels.

In spite of the French setting, this remains a very Finnish film in its sparse dialogue and deadpan humour. Kaurismäki yet again uses a very drab colour scheme and sets the film ostensibly in the present, but with cars, radios and rock music dating from the 1950s. Like nearly every film he has made, there is a musical performance by an oldies rock 'n' roll band, complete with pompadours and leather jackets. This is getting appallingly repetitive. Basically, if you've seen any two previous Kaurismäki films, then you'll find almost nothing new in the aesthetic and even the plot.

That said, this is a more life-affirming film than his last, the absolutely bleak LÄHIKAUPINGIN VALOT of 2006. Kaurismäki is clearly concerned with the plight of those who would escape sub-Saharan Africa by any means necessary, and this leads the viewer to reflection, but his exposé of detention centres and police harrassment becomes heavy-handed at times.